Molti suoi amici hanno scritto necrologi di Hitchens e penso che valga la pena di segnalarveli.
Intanto, il New Statesman ha pubblicato una seconda anticipazione della lunga intervista di Richard Dawkins.
Hitchens on his legacy
RD I’ve been reading some of your recent collections of essays – I’m astounded by your sheer erudition. You seem to have read absolutely everything. I can’t think of anybody since Aldous Huxley who’s so well read.
CH It may strike some people as being broad but it’s possibly at the cost of being a bit shallow. I became a journalist because one didn’t have to specialise. I remember once going to an evening with Umberto Eco talking to Susan Sontag and the definition of the word “polymath” came up. Eco said it was his ambition to be a polymath; Sontag challenged him and said the definition of a polymath is someone who’s interested in everything and nothing else. I was encouraged in my training to read widely – to flit and sip, as Bertie [Wooster] puts it – and I think I’ve got good memory retention. I retain what’s interesting to me, but I don’t have a lot of strategic depth.
A lot of reviewers have said, to the point of embarrassing me, that I’m in the class of Edmund Wilson or even George Orwell. It really does remind me that I’m not. But it’s something to at least have had the comparison made – it’s better than I expected when I started.Hitchens on Tony Blair
RD You debated with Tony Blair. I’m not sure I watched that. I love listening to you [but] I can’t bear listening to . . . Well, I mustn’t say that. I think he did come over as rather nice on that evening.
CH He was charming, that evening. And during the day, as well.
RD What was your impression of him?
CH You can only have one aim per debate. I had two in debating with Tony Blair. The first one was to get him to admit that it was not done – the stuff we complain of – in only the name of religion. That’s a cop-out. The authority is in the text. Second, I wanted to get him to admit, if possible, that giving money to a charity or organising a charity does not vindicate a cause.
I got him to the first one and I admired his honesty. He was asked by the interlocutor at about half-time: “Which of Christopher’s points strikes you as the best?” He said: “I have to admit, he’s made his case, he’s right. This stuff, there is authority for it in the canonical texts, in Islam, Judaism.”
At that point, I’m ready to fold – I’ve done what I want for the evening.
We did debate whether Catholic charities and so on were a good thing and I said: “They are but they don’t prove any point and some of them are only making up for damage done.” For example, the Church had better spend a lot of money doing repair work on its Aids policy in Africa, [to make up for preaching] that condoms don’t prevent disease or, in some cases, that they spread it. It is iniquitous. It has led to a lot of people dying, horribly. Also, I’ve never looked at some of the ground operations of these charities – apart from Mother Teresa – but they do involve a lot of proselytising, a lot of propaganda. They’re not just giving out free stuff. They’re doing work to recruit.
Mark Mahaney for The New York Times - nytimes.com
Passerei poi al ricordo di Ian McEwan sul New York Times:
Christopher Hitchens, Consummate Writer, Brilliant Friend
THE place where Christopher Hitchens spent his last few weeks was hardly bookish, but he made it his own. Close to downtown Houston is the Medical Center, a cluster of high-rises like La Défense of Paris, or London’s City, a financial district of a sort, where the common currency is illness.
This complex is one of the world’s great concentrations of medical expertise and technology. Its highest building denies the possibility of a benevolent god — a neon sign proclaims from its roof a cancer hospital for children. This “clean-sliced cliff,” as Larkin puts it in his poem about a tower-block hospital, was right across the way from Christopher’s place — which was not quite as high, and adults only.
No man was ever as easy to visit in the hospital. He didn’t want flowers and grapes, he wanted conversation, and presence. All silences were useful. He liked to find you still there when he woke from his frequent morphine-induced dozes. He wasn’t interested in being ill. He didn’t want to talk about it.
When I arrived from the airport on my last visit, he saw sticking out of my luggage a small book. He held out his hand for it — Peter Ackroyd’s “London Under,” a subterranean history of the city. Then we began a 10-minute celebration of its author. We had never spoken of him before, and Christopher seemed to have read everything. Only then did we say hello. He wanted the Ackroyd, he said, because it was small and didn’t hurt his wrist to hold. But soon he was making penciled notes in its margins. By that evening he’d finished it. He could have written a review, but he was to turn in a long piece on Chesterton.
And so this was how it would go: talk about books and politics, then he dozed while I read or wrote, then more talk, then we both read. The intensive care unit room was crammed with flickering machines and sustaining tubes, but they seemed almost decorative. Books, journalism, the ideas behind both, conquered the sterile space, or warmed it, they raised it to the condition of a good university library. And they protected us from the bleak high-rise view through the plate glass windows, of that world, in Larkin’s lines, whose loves and chances “are beyond the stretch/Of any hand from here!”
In the afternoon I was helping him out of bed, the idea being that he was to take a shuffle round the nurses’ station to exercise his legs. As he leaned his trembling, diminished weight on me, I said, only because I knew he was thinking it, “Take my arm, old toad…” He gave me that shifty sideways grin I remembered so well from his healthy days. It was the smile of recognition, or one that anticipates in late afternoon an “evening of shame:” — that is to say, pleasure, or, one of his favorite terms, “sodality.”
That must be how I came to be reading Larkin’s “Whitsun Weddings” aloud to him two hours later. Christopher asked me to set the poem in context for his son, Alexander — a lovely presence in that room for weeks on end — and for his wife, Carol Blue — a tigress for his medical cause. She had tangled so ferociously with some slow element of the hospital’s bureaucracy that security guards had been called to throw her out of the building. Fortunately, she charmed and disarmed them.
I set the poem up and read it, and when I reached that celebrated end, “A sense of falling, like an arrow-shower/Sent out of sight, somewhere becoming rain,” Christopher murmured from his bed, “That’s so dark, so horribly dark.” I disagreed, and not out of any wish to lighten his mood. Surely, the train journey comes to an end, the recently married couples are dispatched toward their separate fates. He wouldn’t have it, and a week later, when I was back in London, we were still exchanging e-mails on the subject. One of his began, “Dearest Ian, Well, indeed — no rain, no gain — but it still depends on how much anthropomorphising Larkin is doing with his unconscious… I’d provisionally surmise that ‘somewhere becoming rain’ is unpromising.”
And this was a man in constant pain. Denied drinking or eating, he sucked on tiny ice chips. Where others might have beguiled themselves with thoughts of divine purpose (why me?) and dreams of an afterlife, Christopher had all of literature.
Over the three days of my final visit I took note of his subjects. Not long after he stole my Ackroyd, he was talking to me of a Slovakian novelist; whether Dreiser in his novels about finance was a guide to the current crisis; Chesterton’s Catholicism; Browning’s “Sonnets from the Portuguese,” which I had brought for him on a previous visit; Mann’s “Magic Mountain” — he’d reread it for reflections on German imperial ambitions toward Turkey; and because we had started to talk about old times in Manhattan, he wanted to quote and celebrate James Fenton’s “German Requiem”: “How comforting it is, once or twice a year,/To get together and forget the old times.”
While I was with him another celebration took place in far away London, with Stephen Fry as host in the Festival Hall to reflect on the life and times of Christopher Hitchens. We helped him out of bed and into a chair and set my laptop in front of him. Alexander delved into the Internet with special passwords to get us linked to the event. He also plugged in his own portable stereo speakers. We had the sound connection well before the vision and what we heard was astounding, and for Christopher, uplifting. It was the noise of 2,000 voices small-talking before the event. Then we had a view from the stage of the audience, packed into their rows.
They all looked so young. I would have guessed that nearly all of them would have opposed Christopher strongly over Iraq. But here they were, and in cinemas all over the country, turning out for him. Christopher grinned and raised a thin arm in salute. Close family and friends may be in the room with you, but dying is lonely, the confinement is total. He could see for himself that the life outside this small room had not forgotten him. For a moment, pace Larkin, it was by way of the Internet that the world stretched a hand toward him.
The next morning, at Christopher’s request, Alexander and I set up a desk for him under a window. We helped him and his pole with its feed-lines across the room, arranged pillows on his chair, adjusted the height of his laptop. Talking and dozing were all very well, but Christopher had only a few days to produce 3,000 words on Ian Ker’s biography of Chesterton.
Whenever people talk of Christopher’s journalism, I will always think of this moment.
Consider the mix. Constant pain, weak as a kitten, morphine dragging him down, then the tangle of Reformation theology and politics, Chesterton’s romantic, imagined England suffused with the kind of Catholicism that mediated his brush with fascism and his taste for paradox, which Christopher wanted to debunk. At intervals, Christopher’s head would droop, his eyes close, then with superhuman effort he would drag himself awake to type another line. His long memory served him well, for he didn’t have the usual books on hand for this kind of thing. When it’s available, read the review. His unworldly fluency never deserted him, his commitment was passionate, and he never deserted his trade. He was the consummate writer, the brilliant friend. In Walter Pater’s famous phrase, he burned “with this hard gem-like flame.” Right to the end.
Passerei al commosso ricordo di Richard Dawkins,sul sito della sua fondazione.
Farewell, great voice. Great voice of reason, of humanity, of humour. Great voice against cant, against hypocrisy, against obscurantism and pretension, against all tyrants including God. Farewell, great warrior. You were in a foxhole, Hitch, and you did not flinch. Farewell, great example to us all.
Richard
richarddawkins.net
Finirei con George Easton sul New Statesman:
“I have decided to take whatever my disease can throw at me,” wrote Christoper Hitchens in his most recent essay. But today, after 18 months, his duel with cancer ended. He was 62 years old. The world has lost one of its most outstanding and prolific journalists and a wonderful polemicist, orator and bon vivant. Hitchens could write brilliantly about an extraordinarily wide range of subjects and people: the death penalty, religion, Leon Trotsky, Evelyn Waugh, the British monarchy, the Israeli-Palestinian conflict, George Orwell, Saul Bellow, the Elgin Marbles, North Korea, the Balkans, Henry Kissinger, Thomas Paine and Philip Larkin.
In recent months, we had sad cause to add cancer to that list. The series of essays Hitchens wrote for Vanity Fair about his illness stands as the finest writing on the subject since John Diamond’s C: Because Cowards Get Cancer Too. Without a hint of self-pity or sentimentality, Hitchens confronted his fate with pure reason and logic. “To the dumb question, ‘Why me?’ ” he wrote, “the cosmos barely bothers to return the reply: ‘Why not?’ ” Nor did his humour desert him. To a Christian who insisted that God had given him “throat” cancer in order to punish the “one part of his body he used for blasphemy”, he replied: “My so-far uncancerous throat . . . is not at all the only organ with which I have blasphemed.” And to those who insultingly suggested that he should embrace religion, Hitchens’s flawless riposte: “Suppose there were groups of secularists at hospitals who went round the terminally ill and urged them to adopt atheism: ‘Don’t be a mug all your life. Make your last days the best ones.’ People might suppose this was in poor taste.”
I interviewed Hitchens for the New Statesman in May 2010 during the UK leg of his Hitch-22 tour. Over several glasses of Pinot Noir and Johnnie Walker Black Label, we discussed, among other things, religion, neoconservatism (“I’m not a conservative of any kind”), his time at the NS, Zimbabwe (his biggest regret was that he hadn’t been tougher on Mugabe in the 1980s) and the euro. Hitch was on form that day, calmly eviscerating the likes of David Cameron (“He seems content-free to me. Never had a job, except in PR, and it shows. People ask, ‘What do you think of him?’ and my answer is: ‘He doesn’t make me think’ “) and Sarah Palin (“I think she’s a completely straightforward cynic and opportunist and I think she’s cashing out . . . She’s made a fortune and she’ll make another. But she’s not actually going to do the hard work of trying to lead or build a movement”). Two days later he returned to the US. A month later he was diagnosed with cancer. He never returned to the country of his birth.
It was the United States, where Hitchens lived for more than 30 years, that he came to call home. By the end of the 1970s, he had tired of Britain (“Weimar without the sex”, was his verdict on the Callaghan era) and longed for the bigger stage of America, moving first to New York and later to Washington, DC. He struggled at first, eking out a living writing a biweekly column for the Nation magazine and relying on the kindness of friends such as the radical journalist Andrew Cockburn. But the move paid off when he landed a column for Vanity Fair in 1992, greatly increasing his income and his readership. It was also there that he met his adoring second wife, Carol Blue, who once remarked of him: “I was just glad such a person existed in the world.” He is survived by Blue, their daughter, Antonia, and two children from his previous marriage to Eleni Meleagrou, Alexander and Sophia.
“I believe in America. America has made my fortune,” declares Bonasera in the opening line of The Godfather. Hitchens’s allegiance to the US (he became a citizen in 2007) had more to do with its secular constitution and its commitment to free expression but America did make his fortune. By the end of his life, with regular slots in Vanity Fair, the Atlantic and Slate, several bestselling books and a lucrative place on the lecture circuit, Hitchens was earning nearly $1m a year.
His extraordinary output – 12 books, five collections of essays – was suggestive of a solitary, bookish man, rather than a compulsively social hedonist. In resolving this apparent paradox, Hitchens was aided by two attributes in particular: his prodigious memory (as Ian McEwan once remarked: “It all seems instantly, neurologically available: everything he’s ever read, everyone he’s ever met, every story he’s ever heard”) and his ability to write at a speed that most people talk. The late, great Anthony Howard, who as New Statesman editor hired Hitchens in 1973, told me last year: “He was a very quick writer . . . Hitch could produce a front-page leader, which would take me a couple of hours, in half an hour.”
In his final interview, with Richard Dawkins (published in the current issue of the NS), Hitchens reflected, with touching modesty, on his status as an essayist. After Dawkins told him that he could think of no one since Aldous Huxley who was so well read, he replied:
It may strike some people as being broad but it’s possibly at the cost of being a bit shallow. I became a journalist because one didn’t have to specialise. I remember once going to an evening with Umberto Eco talking to Susan Sontag and the definition of the word “polymath” came up. Eco said it was his ambition to be a polymath; Sontag challenged him and said the definition of a polymath is someone who’s interested in everything and nothing else. I was encouraged in my training to read widely – to flit and sip, as Bertie [Wooster] puts it – and I think I’ve got good memory retention. I retain what’s interesting to me, but I don’t have a lot of strategic depth.
A lot of reviewers have said, to the point of embarrassing me, that I’m in the class of Edmund Wilson or even George Orwell. It really does remind me that I’m not. But it’s something to at least have had the comparison made – it’s better than I expected when I started.
Hitchens’s modesty was unwarranted. In this age of high specialisation, we will not see his like again.
It was God Is Not Great, his anti-theist polemic, that sent him supernova. While Dawkins’s atheism is rooted in science, Hitchens’s was rooted in morality. He was repelled by the notion that people do good only because they fear punishment and hope for reward. The question he often posed about believers was: “Why do they wish this was true?” Heaven, for Hitchens, was a place of “endless praise and adoration, limitless abnegation and abjection of self; a celestial North Korea”.
It is Hitch the controversialist that many will remember. The man who said of Jerry Falwell, “If you gave Falwell an enema he could be buried in a matchbox,” and of Ronald Reagan: “Reagan is doing to the country what he can no longer do to his wife.” But as John Gray wrote in his NS review of Hitchens’s fifth and final collection of essays, Arguably, he was no mere provocateur or contrarian. Throughout his career, Hitchens retained a commitment to the Enlightenment values of reason, secularism and pluralism. His targets – Mother Teresa, Bill Clinton, Henry Kissinger, God – were chosen not at random, but rather because they had offended one or more of these principles.
Over the past decade, many on the left came to regard Hitchens not as a friend but as an enemy. Tariq Ali, a fellow soixante-huitard, wrote: “On 11 September 2001, a small group of terrorists crashed the planes they had hijacked into the Twin Towers of New York. Among the casualties, although unreported that week, was a middle-aged Nation columnist called Christopher Hitchens. He was never seen again . . . The vile replica currently on offer is a double.” And yet, contrary to reports, Hitchens did not perform a crude midlife swerve from left to right (also known as doing a “Paul Johnson”). Unlike Johnson, a former New Statesman editor who became a reactionary conservative (“Pinochet remains a hero to me,” he wrote in 2007), Hitchens did not give up everything he believed in. He maintained, for instance, that the US invasion of Vietnam was a war crime, that Kissinger belonged behind bars (see his 2001 book The Trial of Henry Kissinger for a full account of the former US secretary of state’s “one-man rolling crime wave”) and that the Israeli occupation of Palestine was a moral and political scandal.
His support for the “war on terror” was premised not on conservative notions but on liberal principles. As he wrote in a column for the Nation published on 20 September 2001, “What they [the 9/11 attackers] abominate about ‘the west’, to put it in a phrase, is not what western liberals don’t like and can’t defend about their own system, but what they do like about it and must defend: its emancipated women, its scientific inquiry, its separation of religion from the state.”
He was wrong, badly wrong about Iraq, but for the best of reasons. His support for the invasion arose out of a long-standing solidarity with the country’s Kurds (see his long, 1992 piece for National Geographic, “The Struggle of the Kurds”, collected in Love, Poverty and War) and his belief that even war was preferable to the survival of Saddam Hussein’s totalitarian regime (“a concentration camp above ground and a mass grave beneath it”). It was not an attempt to ingratiate himself with the neoconservatives, whom Hitchens had fought and continued to fight with on issues from gay rights to the death penalty to Israel. But he was too casual in dismissing the civilian casualties (estimated at anything between 100,000 and a million) that resulted directly or indirectly from the invasion of the Iraq and, as he later conceded, too optimistic about the Bush administration’s ability to stabilise the country. In his boisterous advocacy of the war there was more than a hint of the Marxist belief in the necessity of violence in order for history to progress. As Stalin once grimly phrased it, “You can’t make an omelette without breaking eggs.”
Yet those who stopped reading Hitchens after 11 September 2001 are all the poorer for it. They have not read his haunting account of napalm’s deadly legacy in Vietnam: “Some of the victims of Agent Orange haven’t even been born yet, and if that reflection doesn’t shake you, then my words have been feeble and not even the photographs will do.” Or his unrivalled indictment of capital punishment: “Once you institute the penalty, the bureaucratic machinery of death develops its own logic, and the system can be relied on to spare the beast-man, say, on a technicality of insanity, while executing the hapless Texan indigent who wasn’t able to find a conscientious attorney.” Or his unique denunciation of waterboarding: “I apply the Abraham Lincoln test for moral casuistry: ‘If slavery is not wrong, nothing is wrong.’ Well, then, if waterboarding does not constitute torture, then there is no such thing as torture.”
The tragedy of Hitchens’s illness was that it came at a time when he was enjoying a larger audience than ever. Of his tight circle of friends – Martin Amis, James Fenton, Ian McEwan, Salman Rushdie – he was the last to gain international renown, yet he is now read more widely than any of them.
In his later years, Hitchens was fond of quoting his late mother’s assertion that “the one unforgivable sin is to be boring”. Today, as I realise I will never hear that resonant baritone again, that Hitchens’s mighty pen is still, I feel certain in saying that the world has become a more boring place.
Sbagliando s'impera 