Free Will and Testament, di Robert Wyat

Non c’è due senza tre. E il vecchio Robert fuma in tv (BBC Channel four) senza pavidità.

Di questa sono bellissime e profonde (anche) le parole.

Given free will but within certain limitations,
I cannot will myself to limitless mutations,
I cannot know what I would be if I were not me,
I can only guess me.

So when I say that I know me, how can I know that?
What kind of spider understands arachnophobia?
I have my senses and my sense of having senses.
Do I guide them? Or they me?

The weight of dust exceeds the weight of settled objects.
What can it mean, such gravity without a centre?
Is there freedom to un-be?
Is there freedom from will-to-be?

Sheer momentum makes us act this way or that way.
We just invent or just assume a motivation.
I would disperse, be disconnected. Is this possible?
What are soldiers without a foe?

Be in the air, but not be air, be in the no air.
Be on the loose, neither compacted nor suspended.
Neither born nor left to die.

Had I been free, I could have chosen not to be me.
Demented forces push me madly round a treadmill.
Demented forces push me madly round a treadmill.
Let me off please, I am so tired.
Let me off please, I am so very tired.

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Heaps of Sheep, di Robert Wyatt

Che questa piaccia quasi soltanto a me, ne sono abbastanza sicuro. Inconfondibile lo zampino (voce, arrangiamento e sintetizzatore – qiuindi almeno 3 zampini) di Brian Eno.

I realised my fists were clenched,
I stretched my fingers to relax.
Still not sleeping, I tried counting sheep.
One by one,
They leapt across the fence
Constructed for them,
Right to left,
Across the fence I bad constructed.
Having jumped,
They refused further direction.

Each sheep, where it landed,
Refusing to exit, remained.
(Certain a vast writhing heap
Growing fast on the left).
Try as I might,
I could not stop them entering
Once again.
Try as they might,
Not one could leave the stage.
I realised my fists were clenched.
I stretched my fingers.

Each sheep were it landed,
Refusing to exit, remained.
(Creating a vast writhing heap
Growing quickly on one side).
Try as they might,
Not one could leave the stage,
Try as I might,
I could not stop them entering,
Once again.
No longer daring to close my eyes,
Still not sleeping.

I realised my goose was cooked
I wondered shipshaped on the shore.

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Sea Song, di Robert Wyatt

Canzoni che piacciono (quasi) solo a me.

You look different every time you come
From the foam-crested brine
Your skin shining softly in the moonlight
Partly fish, partly porpoise, partly baby sperm whale
Am I yours? Are you mine to play with?
Joking apart – when you’re drunk you’re terrific when you’re drunk
I like you mostly late at night you’re quite alright
But I can’t understand the different you in the morning
When it’s time to play at being human for a while please smile!
You’ll be different in the spring, I know
You’re a seasonal beast like the starfish that drift in with the tide
So until your your blood runs to meet the next full moon
You’re madness fits in nicely with my own
Your lunacy fits neatly with my own, my very own
We’re not alone

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28 gennaio – LEGO

Ole Kirk Christiansen cominciò a costruire giocattoli di legno nel 1932 e adottò il nome LEGO (dal danese leg godt, “gioca bene”, anche se il riferimento al greco λέγω, “raccolgo” per noi è irresistibile).

il 28 gennaio 1958 (50 anni fa) furono brevettati ed entrarono in produzione i mattoncini che conosciamo adesso, e da quella data le diverse generazioni sono compatibili tra loro.

Si stima che ogni abitante della Terra abbia in casa 62 mattoncini, in media. Ma poiché soltanto a casa mia ce ne sono (penso) parecchie migliaia, immagino che la distribuzione sia fortemente asimmetrica.

Il LEGO è un’icona geek (suggerisco in proposito la lettura di Microserfs di Douglas Coupland), e io e i miei figli non facciamo eccezione. Uno psicologo potrebbe dire che sono il tipico giocattolo per autistici, o almeno per persone affette (in forma più o meno grave) dalla sindrome di Asperger: sono duri e squadrati, in contrapposizione a quelli tondi e morbidi, come i peluche, che stimolano un attaccamento effettivo piuttosto che il ragionamento logico.

LEGO ha generato LOGO, e LOGO ha generato STARLOGO e NETLOGO: ma questa è tutta un’altra genealogia biblica.

Una galleria di immagini di realizzazioni fatte con LEGO la trovate qui.